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Book Title: Auto da barca do inferno|
The author of the book: Gil Vicente
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Reader ratings: 5.1
Date of issue: 1990
ISBN: No data
ISBN 13: No data
Format files: PDF
The size of the: 3.83 MB
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Trata-se de uma alegoria dramática: duas são as barcas em que os personagens podem subir - a do Inferno, munida do Diabo; e a da Glória, encabeçada pelo Anjo. Em cena, é realizado o auto do julgamento das almas, e a maior parte delas segue na primeira barca. Entre os "réus", um agiota, um sapateiro rico, um tolo, uma alcoviteira, um usurário, quatro cavaleiros e um frade corrupto, além de outros representantes da humanidade. Muito mais do que uma sátira da sociedade lisboeta em princípios do século 16, mais do que uma farsa ou um auto de moralidade (embora também o seja), "Auto da Barca do Inferno" é um bem-humorado arrazoado dos vícios que corroem o mundo e uma crítica – infelizmente ainda válida – à organização da sociedade dos homens.
Gil Vicente é considerado o primeiro dramaturgo da língua portuguesa.
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Read information about the authorGil Vicente, called the Trobadour, was a Portuguese playwright and poet who acted in and directed his own plays. Considered the chief dramatist of Portugal he is sometimes called the "Portuguese Plautus" and often referred to as the "Father of Portuguese drama." Vicente worked in Portuguese as much as he worked in Spanish and is thus, with Juan del Encina, considered joint-father of Spanish drama.
Vicente was attached to the courts of the Portuguese kings Manuel I and John III. He rose to prominence as a playwright largely on account of the influence of Queen Dowager Leonor, who noticed him as he participated in court dramas and subsequently commissioned him to write his first theatrical work.
He may also have been identical to an accomplished goldsmith of the same name, creator of the famous monstrance of Belém, and master of rhetoric of King Manuel I.
His plays and poetry, written in both Portuguese and Spanish, were a reflection of the changing times during the transition from Middle Ages to Renaissance and created a balance between the former time of rigid mores and hierarchical social structure and the new society in which this order was undermined.
While many of Vicente's works were composed to celebrate religious and national festivals or to commemorate events in the life of the royal family, others draw upon popular culture to entertain, and often to critique, Portuguese society of his day.
Though some of his works were later suppressed by the Inquisition, causing his fame to wane, he is now recognised as one of the principal figures of the Portuguese Renaissance.
More information at Wikipedia.
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