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Ebook Hetki by Wisława Szymborska read! Book Title: Hetki
The author of the book: Wisława Szymborska
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Reader ratings: 5.8
Edition: Like
Date of issue: January 2000
ISBN: No data
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Language: English
Format files: PDF
The size of the: 858 KB

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E se eu vos disser que antes deste Instante nunca tinha lido um livro de poesia? Claro que na escola estudei poemas avulsos dos nossos poetas; em casa dos meus pais tínhamos boa parte da obra poética de Fernando Pessoa, mas a minha tenra idade só achava piada às suas quadras populares. Acho que a exposição demasiado académica que tive à poesia no ensino secundário me fez, por um lado, achar que a poesia exige ser entendida dessa forma e, por outro, que se não lesse poesia com essa abordagem correria o risco de não a entender de todo. Para além de tudo isso, simplesmente não sabia por onde começar. Num dos últimos episódios do fantástico podcast Biblioteca de Bolso , uma das três escolhas da convidada Helena Rafael foi precisamente Instante. Ela leu o seguinte poema (O Primeiro Amor):

Dizem
que o primeiro amor é o mais importante.
É muito romântico,
mas não é o meu caso.

Algo entre nós houve e não houve,
deu-se e perdeu-se.

Não me tremem as mãos
quando encontro pequenas lembranças,
aquele maço de cartas atadas com um cordel,
se ao menos fosse uma fita.

O nosso único encontro, passados anos,
foi uma conversa de duas cadeiras
junto a uma mesa fria.

Outros amores
continuam até hoje a respirar dentro de mim.
A este falta fôlego para suspirar.

No entanto, sendo como é,
não lembrado,
nem sequer sonhado,
consegue o que os outros ainda não conseguem:
acostuma-me com a morte.

Gostei tanto do que ouvi que pensei: “é isto, é mesmo por aqui que vou começar”. Wisława Szymborska foi uma poetisa polaca que venceu o Prémio Nobel da Literatura em 1996 e de quem nunca tinha ouvido falar até agora. Em português, para além de Instante, está também publicado Paisagem com Grão de Areia (Relógio d’Água), Um Passo da Arte Eterna (Esfera do Caos) e uma antologia com o também Prémio Nobel da Literatura Czeslaw Milosz, Alguns Gostam de Poesia (Cavalo de Ferro). De notar que esta edição da Relógio d’Água é bilingue.

Instante é um livro curto, que se lê de uma assentada (eu li e depois reli logo de seguida). A temática dos poemas é diversa e o estilo é muito direto, ainda que excecionalmente contido. A economia de palavras não é aqui um sinónimo de que a mensagem não é bem transmitida, bem pelo contrário. O que mais me cativou nestes poemas foi isso mesmo, a forma brilhante como Szymborska consegue transmitir tanto em tão poucas palavras. Veja-se As Três Palavras Mais Estranhas:

Quando pronuncio a palavra Futuro,
a primeira sílaba já percence ao passado.

Quando pronuncio a palavra Silêncio,
destruo-o.

Quando pronuncio a palavra Nada,
crio algo que não cabe em nenhum não-ser.

Tão bonito, não é? Escusado será dizer que gostei mesmo muito desta experiência e pretendo repetir. Para já, explorando mais a obra desta autora e, depois, estou certa que muitos outros poetas se lhe seguirão. Têm sugestões?


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Ebook Hetki read Online! Wisława Szymborska (Polish pronunciation: [vʲisˈwava ʂɨmˈbɔrska], born July 2, 1923 in Kórnik, Poland) is a Polish poet, essayist and translator. She was awarded the 1996 Nobel Prize in Literature. In Poland, her books reach sales rivaling prominent prose authors—although she once remarked in a poem entitled "Some like poetry" [Niektórzy lubią poezję] that no more than two out of a thousand people care for the art.

Szymborska frequently employs literary devices such as irony, paradox, contradiction, and understatement, to illuminate philosophical themes and obsessions. Szymborska's compact poems often conjure large existential puzzles, touching on issues of ethical import, and reflecting on the condition of people both as individuals and as members of human society. Szymborska's style is succinct and marked by introspection and wit.

Szymborska's reputation rests on a relatively small body of work: she has not published more than 250 poems to date. She is often described as modest to the point of shyness[citation needed]. She has long been cherished by Polish literary contemporaries (including Czesław Miłosz) and her poetry has been set to music by Zbigniew Preisner. Szymborska became better known internationally after she was awarded the 1996 Nobel Prize. Szymborska's work has been translated into many European languages, as well as into Arabic, Hebrew, Japanese and Chinese.

In 1931, Szymborska's family moved to Kraków. She has been linked with this city, where she studied, worked, and still resides, ever since.

When World War II broke out in 1939, she continued her education in underground lessons. From 1943, she worked as a railroad employee and managed to avoid being deported to Germany as a forced labourer. It was during this time that her career as an artist began with illustrations for an English-language textbook. She also began writing stories and occasional poems.

Beginning in 1945, Szymborska took up studies of Polish language and literature before switching to sociology at the Jagiellonian University in Kraków. There she soon became involved in the local writing scene, and met and was influenced by Czesław Miłosz. In March 1945, she published her first poem Szukam słowa ("I seek the word") in the daily paper Dziennik Polski; her poems continued to be published in various newspapers and periodicals for a number of years. In 1948 she quit her studies without a degree, due to her poor financial circumstances; the same year, she married poet Adam Włodek, whom she divorced in 1954. At that time, she was working as a secretary for an educational biweekly magazine as well as an illustrator.

During Stalinism in Poland in 1953 she participated in the defamation of Catholic priests from Kraków who were groundlessly condemned by the ruling Communists to death.[1] Her first book was to be published in 1949, but did not pass censorship as it "did not meet socialist requirements." Like many other intellectuals in post-war Poland, however, Szymborska remained loyal to the PRL official ideology early in her career, signing political petitions and praising Stalin, Lenin and the realities of socialism. This attitude is seen in her debut collection Dlatego żyjemy ("That is what we are living for"), containing the poems Lenin and Młodzieży budującej Nową Hutę ("For the Youth that Builds Nowa Huta"), about the construction of a Stalinist industrial town near Kraków. She also became a member of the ruling Polish United Workers' Party.

Like many Polish intellectuals initially close to the official party line, Szymborska gradually grew estranged from socialist ideology and renounced her earlier political work. Although she did not officially leave the party until 1966, she began to establish contacts with dissidents. As early as 1957, she befriended Jerzy Giedroyc, the editor of the influential Paris-based emigré journal Kultura, to which she also contributed. In 1964 s


Reviews of the Hetki


LUCAS

Our favorite book

BOBBY

Why do you need to write a phone?

BEATRICE

Rarely do the books make me cry, but this one could.

CALEB

The author liked the book.

ZOE

A cozy book that teaches small things, happiness, in detail!




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